On stage: Barn III Dinner Theatre satisfies with ’70s music, type and laughs | Arts and Theatre

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A part of the enjoyment of the last decade that was the Nineteen Seventies was our garish type selections. The patterns, the colours, the collars, the aptitude — the gold lame. What had been Individuals pondering!?

We might select to be in denial about all of the cheesy extra of the “Me Decade” besides — why?? — when the Conklin Gamers of the Barn III Dinner Theatre have a lot enjoyable with it of their newest manufacturing “Dwell From The Barn: It’s The ’70s!”, taking part in now by means of April 10.

Sure, the costumes stay as much as all of the gaudy glory of the ’70s. And the wigs? Effectively, there have been so many it was shocking a “wig wrangler” wasn’t listed in this system. However our fondness for the Nineteen Seventies can be however a faint whisper if all it was primarily based on was questionable type selections. The ’70s, nevertheless, had plenty of kick-butt music; Sirius XM doesn’t have a whole channel dedicated to it for nothing. And it’s within the music the place this newest Barn manufacturing hits the excessive notes.

I might sing the praises of the seven performers (and I’ll in a bit), however the actual star of this present shouldn’t be on stage — he’s the top author, Jimmy LaHood. It’s LaHood (who must be not less than a toddler of the ’80s) who understands that the ’70s satisfies. The youthful crowd digs its kitschy comedic vibe together with plenty of nice songs. To the more-seasoned of us it feels nostalgic, acquainted and communal. A time once we all watched the identical three channels and knew all the favored TV reveals. (Come on, watch PBS? Not in primetime, child.)

However the place LaHood actually shines is in tune choice and mixing. In a two-hour present, he manages to squeeze in practically 100 ’70s tunes. And that’s not counting one other two dozen featured in a “Identify That Tune TV Trivia” sketch. One marvels how effectively he blends so many divergent songs into medleys that simply conserving coming out one nice tune after one other.

Is there a plot? Nominally, however one isn’t actually obligatory. Detective Colombo (Nate Gaik) drifts out and in of the present to seek for the “assassin” of John Travolta’s ’70s personas. It’s foolish and enjoyable; and Gaik has a blast at a number of factors through the present partnering together with his real-life partner Pat Gaik in basic ’70s comedy sketches — the most effective of which is an ode to Johnny Carson’s “Carnac the Magnificent.” Hiyooo!


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After which there’s the music. The songs simply appear to deliver out the ’70s candy spot in Tamra Challacombe. Whether or not it’s Karen Carpenter, Helen Reddy, Toni Tennille or Cher, her voice is a chunk of ’70s sugary pop confection — and perfection. Sagan Drake channels her inside disco diva on “Final Dance” and “I Will Survive.” Newcomer Daniel Olsson makes a giant splash in his first Barn manufacturing. He’s featured in a lot of the present, and whereas he might play a sappy ’70s tune like “Shannon” (concerning the passing of an Irish setter) for laughs, it’s clear this tenor has some vocal chops. I predict we’ll be seeing much more of him.

Chances are you’ll ask, “Is there a spot for hapless Dan Challacombe on this manufacturing?” After all there may be. (Steve Martin followers gained’t be disillusioned.) The billing for Dave Windsor ought to most likely be “particular visitor star,” since he solely reveals up as soon as close to the tip of Act I, however he sings one terrific Barry Manilow medley, nimbly navigating a number of the trickiest tune transitions within the present.

And did I point out the meals? Strive the brisket, it’s scrumptious!



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